A Fusion of Sci-Fi and Heavy Industry Innovation, Flagship XCMG Machinery Equipment Features in Sci-Fi Blockbuster “The Wandering Earth II”

XUZHOU, China, Jan. 28, 2023 /PRNewswire/ — A fusion of sci-fi adventure and heavy industry innovation, a flagship fleet of customized XCMG Machinery (“XCMG”, SHE:000425) equipment is featured in the China-made sci-fi blockbuster “The Wandering Earth II” directed by Frant Gwo, which opened in movie theaters on Chinese New Year’s Day, and will be released in the countries and regions including North America, UK, Ireland, Australia, New Zealand, etc. starting from today.

A Fusion of Sci-Fi and Heavy Industry Innovation, Flagship XCMG Machinery Equipment, A Fleet of 61 Units Equipment of 42 Models, Features in Sci-Fi Blockbuster “The Wandering Earth II”, which to be Released on Jan. 28th, 2023 in the US, Canada, UK, Ireland, Australia, etc.

From the “space elevator” soaring across the earth and sky to the thrilling “air combat,” XCMG equipment journeys from behind the scenes to onstage in the prequel to 2019’s ”The Wandering Earth”, which became one of the highest grossing non-English movies ever. Leveraging its comprehensive product portfolio and solutions in hoisting, earthmoving, road, aerial work, sanitation, safety and emergency rescue, XCMG has provided a wide range of operational and transformable machinery equipment for the UEG (United Earth Government) in the film.

“As China’s premier company of industrial design, we came up with several product design proposals in two days after receiving the assignment and selected the best solution with the directors. As you’ll see in the film, we achieved ideal results.  These dazzling pieces of ‘equipment of the future’ were not just for cinematic show, they were inspired by our real-life products that are breaking new ground every day,” said Zhang Han, the industrial designer from XCMG.

XCMG provided 61 units of equipment of 42 models, more than 400 sets of spare parts and workshop props and 61 sets of 3D models over the course of film production, from scheduling, painting, equipment to personnel, logistics, to on-site execution and more. A total of 319 XCMG staff worked on the project.

One of the most coveted pieces of equipment from the film is the ET120 walking excavator, also known as the “steel mantis.” Designed for emergency rescue in complex terrain environments and at disaster-stricken sites, the ET120 can “walk” the plateau mountains, woodlands, ravines, swamps and alpine as if it’s on firm earth, while equipped for installing various tools to perform different tasks such as excavation, lifting, logging, fire extinguishing, crushing, grabbing and drilling at altitudes of up to 4,500 meters and temperatures of minus 40 degrees Celsius.

In addition, the film features dozens of innovative technologies that XCMG has developed for applications in extreme conditions, and over a third of the equipment in the film is unmanned and new energy models, including the AGV.

“The ‘steel mantis’ in the film is the ‘transformer’ of real life, and as you’ll see in the movie, XCMG brings sci-fi to reality through the wonders of our industrial engineering, so I’m very proud of what we have created,” said Gwo.

From introducing product technologies from abroad to mastering core technologies of breakthrough significance, XCMG, has established the most cutting-edge R&D through global collaboration to become one of the top three construction manufacturers in the world.

Photo – https://mma.prnewswire.com/media/1991543/A_Fusion_Sci_Fi_Heavy_Industry_Innovation_Flagship_XCMG_Machinery_Equipment.jpg

‘Whale Meat’ Vending Machines Push Sales in Japan

A Japanese whaling operator, after struggling for years to promote its products amid protests from conservationists, has found a new way to cultivate clientele and bolster sales: whale meat vending machines.

The Kujira (Whale) Store, an unmanned outlet that recently opened in the port town of Yokohama near Tokyo, houses three machines for whale sashimi, whale bacon, whale skin and whale steak, as well as canned whale meat. Prices range from 1,000 yen ($7.70) to 3,000 yen ($23).

The outlet features white vending machines decorated with cartoon whales and is the third location to launch in the Japanese capital region. It opened Tuesday after two others were introduced in Tokyo earlier this year as part of Kyodo Senpaku Co.’s new sales drive.

Whale meat has long been a source of controversy but sales in the new vending machines have quietly gotten off to a good start, the operator says. Anti-whaling protests have subsided since Japan in 2019 terminated its much-criticized research hunts in the Antarctic and resumed commercial whaling off the Japanese coasts.

Conservationists say they are worried the move could be a step toward expanded whaling.

“The issue is not the vending machines themselves but what they may lead to,” said Nanami Kurasawa, head of the Iruka & Kujira (Dolphin & Whale) Action Network.

Kurasawa noted the whaling operator is already asking for additional catches and to expand whaling outside of the designated waters.

Kyodo Senpaku hopes to set up vending machines at 100 locations nationwide in five years, company spokesperson Konomu Kubo told The Associated Press. A fourth is to open in Osaka next month.

The idea is to open vending machines near supermarkets, where whale meat is usually unavailable, to cultivate demand, a task crucial for the industry’s survival.

Major supermarket chains have largely stayed away from whale meat to avoid protests by anti-whaling groups and remain cautious even though harassment from activists has subsided, Kubo said.

“As a result, many consumers who want to eat it cannot find or buy whale meat. We launched vending machines at unmanned stores for those people,” he said.

Company officials say sales at the two Tokyo outlets have been significantly higher than expected, keeping staff busy replenishing products.

At the store in the Motomachi district of Yokohama, a posh shopping area near Chinatown, 61-year-old customer Mami Kashiwabara went straight for whale bacon, her father’s favorite. To her disappointment it was sold out, and she settled for frozen onomi, tail meat that is regarded as a rare delicacy.

Kashiwabara says she is aware of the whaling controversy, but that whale meat brings back her childhood memories of eating it at family dinners and school lunches.

“I don’t think it’s good to kill whales meaninglessly. But whale meat is part of Japanese food culture, and we can respect the lives of whales by appreciating their meat,” Kashiwabara said. “I would be happy if I can eat it.”

Kashiwabara said she planned to share her purchase of a 3,000 yen ($23) handy-size chunk, neatly wrapped in a freezer bag, with her husband over sake.

The meat mostly comes from whales caught off Japan’s northeastern coast.

Japan resumed commercial whaling in July 2019 after withdrawing from the International Whaling Commission, ending 30 years of what it called research whaling, which had been criticized by conservationists as a cover for commercial hunts banned by the IWC in 1988.

Under its commercial whaling in the Japanese exclusive economic zone, Japan last year caught 270 whales, less than 80% of the quota and fewer than the number it once hunted in the Antarctic and the northwestern Pacific in its research program.

The decline occurred because fewer minke whales were found along the coast. Kurasawa says the reason for the smaller catch should be examined to see if it is linked to overhunting or climate change.

While conservation groups condemned the resumption of commercial whaling, some see it as a way to let the government’s embattled and expensive whaling program adapt to changing times and tastes.

In a show of determination to keep the whaling industry alive in the coming decades, Kyodo Senpaku will construct a 6 billion yen ($46 million) new mother ship for launch next year to replace the aging Nisshin Maru.

But uncertainty remains.

Whaling is losing support in other whaling nations such as Iceland, where only one whaler remains.

Whales may also be moving away from the Japanese coasts due to a scarcity of saury, a staple of their diet, and other fish possibly due to the impact of climate change, Kubo said.

Whaling in Japan involves only a few hundred people and one operator and accounted for less than 0.1% of total meat consumption in recent years, according to Fisheries Agency data.

Still, conservative governing lawmakers staunchly support commercial whaling and consumption of the meat as part of Japan’s cultural tradition.

Conservationists say whale meat is no longer part of the daily diet in Japan, especially for younger generations.

Whale meat was an affordable source of protein during Japan’s undernourished years after World War II, with annual consumption peaking at 233,000 tons in 1962.

Whale was quickly replaced by other meats. The whale meat supply fell to 6,000 tons in 1986, the year before the moratorium on commercial whaling imposed by the IWC banned the hunting of several whale species.

Under the research whaling, criticized as a cover for commercial hunts because the meat was sold on the market, Japan caught as many as 1,200 whales annually. It has since drastically cut back its catch after international protests escalated and whale meat supply and consumption slumped at home.

Annual meat supply had fluctuated in a range of 3,000-5,000 tons, including imports from Norway and Iceland. The amount further fell in 2019 to 2,000 tons, or 20 grams (less than 1 ounce) of whale meat per person a year, the Fisheries Agency statistics show.

Whaling officials attributed the shrinking supply in the past three years to the absence of imports due to the pandemic, and plan to nearly double this year’s supply with imports of more than 2,500 tons from Iceland.

Japan managed to get Iceland’s only remaining whaler to hunt fin whales exclusively for shipment to Japan, whaling officials said. Iceland caught only one minke whale in the 2021 season, according to the IWC.

Criticizing Iceland’s export to Japan, the International Fund for Animal Welfare said it “opposes all commercial whaling as it is inherently cruel.”

With uncertain outlook for imports, Kyodo Senpaku wants the government to raise Japan’s annual catch quota to levels that can supply about 5,000 tons, which Kubo describes as the threshold to maintain the industry.

“From a long-term perspective, I think it would be difficult to sustain the industry at the current supply levels,” Kubo said. “We must expand both supply and demand, which have both shrunk.”

Source: Voice Of America

‘Remember the Titans’ Screenwriter Gregory Allen Howard Dies

Screenwriter Gregory Allen Howard, who skillfully adapted stories of historical Black figures in Remember the Titans starring Denzel Washington, Ali with Will Smith and Harriet with Cynthia Erivo, has died. He was 70.

Howard died Friday at his home in Miami after a brief illness, according to a statement from publicist Jeff Sanderson.

Howard was the first Black screenwriter to write a drama that made $100 million at the box office when Titans crossed that milestone in 2000. It was about a real-life Black coach coming into a newly integrated Virginia school and helping lead their football team to victory. It had the iconic line: “I don’t care if you like each other or not. But you will respect each other.”

Howard said he shopped the story around Hollywood with no success. So, he took a chance and wrote the screenplay himself. “They didn’t expect it to make much money, but it became a monster, making $100 million,” he said. “It made my career,” he told the Times-Herald of Vallejo, California, in 2009. The film made The Associated Press’ list of the best 25 sports movies ever made.

Howard followed up Remember the Titans with Ali, the 2002 Michael Mann-directed biopic of Muhammad Ali. Smith famously bulked up to play Ali and was nominated for a best actor Oscar.

Howard also produced and co-wrote 2019’s Harriet, about abolitionist Harriet Tubman. Erivo led a cast that included Leslie Odom Jr., Clarke Peters and Joe Alwyn.

“I got into this business to write about the complexity of the Black man. I wanted to write about Martin Luther King, Malcolm X, Muhammad Ali, Marcus Harvey. I think it takes a Black man to write about Black men,” he told the Times-Herald.

Born in Virginia, his family moved often due to his stepfather’s career in the Navy. After attending Princeton University, graduating with a degree in American history, Howard briefly worked at Merrill Lynch on Wall Street before moving to Los Angeles in his mid-20s to pursue a writing career.

He wrote for TV and penned the play Tinseltown Trilogy, which focused on three men in Los Angeles over Christmastime as their stories interconnect and inform each other.

Howard also wrote The Harlem Renaissance, a limited series for HBO, Misty, the story of prima ballerina Misty Copeland and This Little Light, the Fannie Lou Hamer story. Most recently, he wrote the civil rights project Power to the People for producer Ben Affleck and Paramount Pictures.

He is survived by a sister, Lynette Henley; a brother, Michael Henley; two nieces and a nephew.

Source: Voice Of America